无敌僵尸王

杭州试点推进常态化车网互动 用新能源车给电网“反向充电”_我的网站

A |     每日商报讯 近日，杭州新能源车主王先生将车驶入临安星港路停车场充电站，他拔下车位后面那台特殊的充电桩电枪，伴随着清脆的“咔嗒”声，电动车与充电桩相连，随后在手机“e充电”App上选择“放电”功能，车子便开始对电网反向送电。

B |     

    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。“晚上用谷电价格充电，白天反向送电赚补贴，车网互动的活动体验感真不错。”王先生感慨。

C | 这种个人车主通过车载锂电池反哺城市电网的充电模式，在杭州已经连续三年在规定时间内开展。“今年活动的最大变化，是从‘集中测试’走向‘常态化运营’。

D | ”国网杭州供电公司所属杭州市新能源汽车服务有限公司相关负责人何雨微表示。今年的活动分为两个阶段：8月18日至20日开展为期三天的旗舰专场，8月21日至9月11日转为常态化运营。与往年相比，整个活动周期大幅延长，参与规模、覆盖车型、应用场景全面升级。

E | 活动期间，广大新能源车主均可前往萧山钱江世纪城公园、富阳区体育中心、临安星港路停车场、杭州石塘公交充电站等4座V2G充电站参与反向放电。如果说前两年是在验证“车能不能向电网放电”的技术可行性，那么今年的常态化运营则是在验证“车主愿不愿持续放电、电网能不能常态化调用”的商业可持续性。这也意味着，车网互动正在成为一种可以每天发生的“交易”。车主在低谷期充电、高峰期放电，赚取峰谷差价；电网在需要时获得灵活调节能力；充电场站获得基础放电补贴收益。三方各取所需，市场化闭环正在形成。

F | 值得一提的是，得益于国网杭州供电公司在迎峰度夏之前按期投运17项主网建设、28项配网重点工程建设，今年杭州迎峰度夏电力供应整体平稳有序。在这一背景下推进车网互动常态化其实有着更多战略考量，即探索新能源汽车作为分布式储能资源参与电网柔性调节的新路径，为新型电力系统建设积累经验。

G | 三年来，国网杭州供电公司通过多地规模化联动、多车型覆盖、常态化运营，正构建起市场化、可复制、可推广的车网互动新模式。车主通过“e充电”App签约V2G功能，即可参与反向放电，响应结束后系统自动结算。“目前杭州供电公司在全域布点11处V2G站，共35台V2G桩。

H | 下一步，公司将持续在全市加密V2G充电桩布局，在原有示范站点基础上，向主城区核心商圈、大型居民社区、交通枢纽等场景延伸，不断扩大V2G示范站点覆盖范围。”国网杭州供电公司营销部相关工作人员茅奕晟介绍。据了解，该公司计划2027年在全市范围内再增5个示范站点，共计61个V2G桩；同时持续迭代优化V2G技术体系与平台服务功能，在车主已可完成签约、参与响应、自动结算的基础上，进一步优化响应调度算法、提升结算效率、丰富互动场景。

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Published on:12:19:53